Here is another 10 to add to the list.
Remember that there is no ranking system here, and if you don’t see your favorite jazz album yet, it doesn’t mean it won’t show up.
Hopefully these lists will inspire you to seek some of these albums out that perhaps you haven’t heard before, or revisit an old favorite. And as always, we want your thoughts on any or all of these albums. Here, in no particular order, are albums 951 through 960.
951.
Satch Plays Fats: The Music of Fats Waller – Louis Armstrong (Columbia, 1955) CLICK HERE TO BUY
952.
Lee-Way – Lee Morgan (APO (Analogue Production Originals), 1960) CLICK HERE TO BUY
953.
Piano in the Background – Duke Ellington (Sony Music Distribution, 1960) CLICK HERE TO BUY
954.
The Complete Gramercy Five Sessions – Artie Shaw (Bluebird RCA, 1940-1945 recording dates, 1989 compilation date) CLICK HERE TO BUY
955.
Walkin’ – Miles Davis (Original Jazz Classics, 1954) CLICK HERE TO BUY
956.
The Inner Mounting Flame – John McLaughlin/Mahavishnu Orchestra (Columbia/Legacy, 1971) CLICK HERE TO BUY
957.
Bird and Diz – Charlie Parker/Dizzy Gillespie (Verve/Polygram, 1950 recording dates, 1956 release date) CLICK HERE TO BUY
958.
Trombone by Three – Bennie Green/J.J. Johnson/Kai Winding (Original Jazz Classics, 1956) CLICK HERE TO BUY
959.
Cattin’ With Coltrane and Quinichette – John Coltrane/Paul Quinichette (Original Jazz Classics, 1957) CLICK HERE TO BUY
960.
Boss Guitar – Wes Montgomery (Concord/Concord Music Group/Fantasy/Universal Music, 1963) CLICK HERE TO BUY
Related Posts:
1,000 Jazz Albums You Should Hear Before You Die (941-950)
1,000 Jazz Albums You Should Hear Before You Die (931-940)
1,000 Jazz Albums You Should Hear Before You Die (921-930)
1,000 Jazz Albums You Should Hear Before You Die (911-920)
1,000 Jazz Albums You Should Hear Before You Die (901-910)
1,000 Jazz Albums You Should Hear Before You Die – The First 750
1,000 Jazz Albums You Should Hear Before You Die – The First 500

Jazz, like almost any other art form, is not without its off-stage drama. As a (below average) trumpet player, I am sensitive to the fact that there have been too many trumpeters before me who passed away far too early for a variety of far too unfortunate reasons. The list includes Clifford Brown, Bunny Berigan (see my remembrance of Berigan
This year blue Note Records turned 70 years old. While many other record labels have come and gone over 70 years, Blue Note has not only managed to stay in business, but to continue to turn a profit and avoid having to cut down on their artist roster. In recent years, this is due in large part to their online download sales and some successful crossover artists including Norah Jones and Al Green.
The oldest recording on the list, but a great chance to hear Miles in the early stages of what would lead to super stardom.
One of the finest examples of why Blakey was not only a great musician, but a great band leader and mentor to those who he recorded with.
This album is not only one of the greatest big band albums ever, but features what might be the sweetest, most beautiful ballads ever with A Child is Born.
I played in a small group once where our director made our pianist listen to this album over and over until our pianist “finally got it”. Silver was one of the best at playing with his group, rather than just playing.
When you listen to the title track, it might seem simple in structure. But only Herbie and his hand-picked group could make it sound so perfect.
There is not likely a musician who I wish could have had more time to produce more recordings than Lee Morgan. Losing him at age 33 was a tragedy, but what he did produce withstands the test of time.
An album that brought energy into the 70’s, as well as the young Brecker Brothers. Enjoyable the whole way through.
This album hosts what is probably one of the most recognizable jazz tunes, even if you aren’t a jazz fan. Once again, Hancock gets together the perfect cast for these memorable recordings.
I could listen to Freddie solo on Birdlike for hours. Whether playing fast or slow, high or low, Hubbard could always keep his solos imaginative and interesting.
The first Coltrane album I ever owned, and years later it still gets heavy rotation on my personal playlist. One of the finest recordings in the history of jazz.