1,000 Jazz Albums You Should Hear Before You Die (971-980)

Here is another 10 to add to the list.

We are getting close! Just a handful of albums left to add. Remember that there is no ranking system here. Hopefully these lists will inspire you to seek some of these albums out that perhaps you haven’t heard before, or revisit an old favorite. And as always, we want your thoughts on any or all of these albums. Here, in no particular order, are albums 971 through 980.

971. The President Plays with the Oscar Peterson Trio – Lester Young (Verve, 1952) CLICK HERE TO BUY

972. Oscar Peterson Plays the Jerome Kern Songbook – Oscar Peterson (Verve, 1954) CLICK HERE TO BUY

973. Songs in a Mellow Mood – Ella Fitzgerald (Universal Distribution, 1955) CLICK HERE TO BUY

974. Candid Dolphy – Eric Dolphy (Candid, 1961) CLICK HERE TO BUY

975. The Hawk in Paris – Coleman Hawkins (RCA, 1956) CLICK HERE TO BUY

976. Playboys – Art Pepper/Chet Baker (Blue Note/Pacific Jazz, 1956) CLICK HERE TO BUY

977. Sonny Rollins with the Modern Jazz Quartet – Sonny Rollins (Original Jazz Classics, 1953) CLICK HERE TO BUY

978. Lionel Hampton Presents Buddy Rich – Lionel Hampton/Buddy Rich (Who’s Who in Jazz, 1977) CLICK HERE TO BUY

979. Olympia Concert – Sidney Bechet (Vogue, 1955) CLICK HERE TO BUY

980. Out of the Cool – Gil Evans (Impulse!, 1960) CLICK HERE TO BUY

1,000 Jazz Albums You Should Hear Before You Die (961-970)

1,000 Jazz Albums You Should Hear Before You Die (951-960)

1,000 Jazz Albums You Should Hear Before You Die (941-950)

1,000 Jazz Albums You Should Hear Before You Die (931-940)

1,000 Jazz Albums You Should Hear Before You Die (921-930)

1,000 Jazz Albums You Should Hear Before You Die (911-920)

1,000 Jazz Albums You Should Hear Before You Die (901-910)

1,000 Jazz Albums You Should Hear Before You Die – The First 750

1,000 Jazz Albums You Should Hear Before You Die – The First 500

Building a Dream Big Band Part VI: The Bandleader – A Stunning Conclusion

Well it all comes down to this. The musicians are in place. All that they wait for now is some direction.

If you haven’t read any of the previous “Dream Big Band” blogs, let me fill you in. Over the last couple of weeks I’ve pieced together my own personal dream big band, section by section. Five trumpets, four trombones, five saxes, guitar, bass, piano, drums, male vocalist, and female vocalist. The only criteria for musicians to make this band is that I personally would want to see these people up on stage, all together, at one time. Alive or dead, it doesn’t matter.

LET ME REPEAT: this is not a “Top 10” or “Best Ever” list. It is simply who I would get the most joy out of seeing on stage at the same time. While I have received lots of positive comments on the band, I have also heard from others who disagree with some of my selections. I completely encourage everyone to share who they might like to see in their own dream big band…in fact I would enjoy it. The wonderful thing about jazz is that there has been so many great musicians that there is no way that one persons dream band would look the same as another persons band. If one legend of jazz is not selected, it should not be considered a slap in a face to the legacy of that musician. Just a personal preference. That is exactly what makes this project fun and interesting, as opposed to trying to make it an exact science. And I hope it has encouraged you to think about your dream big band, and who might participate in it. And again, thanks so much for your feedback.

Here is how the band was sectioned together:

Trumpets:

Lead: Arturo Sandoval

2nd Chair: Wynton Marsalis

Third Chair: Freddie Hubbard

Fourth Chair: Miles Davis

Fifth Chair: Thad Jones

Trombones (selected by former KPLU host Troy Oppie):

Lead: Bob Burgess

Second Chair: Frank Rosilino

Third Chair: Al Grey

Bass Trombone: Bill Hughes

Saxes:

First Alto: Charlie Parker

Second Alto: Cannonball Adderley

First Tenor: Michael Brecker

Second Tenor: John Coltrane

Baritone Saxophone: Cecil Payne

The Rhythm Section:

Guitar: Charlie Christian

Piano: Herbie Hancock

Bass: Jaco Pastorius

Drums: Jack DeJohnette

Vocalists:

Female Vocalist: Carmen McRae

Male Vocalist: Lou Rawls

And now, the bandleader.

I probably pick, and then scratched of the list a dozen or so leaders, and more or less for all the same reason. If they were the band leader, as legendary as they might be, would the band sound original, or would it sound just like the band of that leader? For example, if I picked Count Basie, would it just be the Basie Band with a bunch of charts by Nestico and Hefti? Same thing if I picked Duke Ellington or Benny Goodman. If I pick Glenn Miller, is this all-star band limited to playing charts from the late 30’s to early 40’s like Tuxedo Junction or In the Mood? Buddy Rich might be a reasonable option, but there is always the chance that he would fire the entire band on the tour bus before it showed up to the show (because, well, it has happened before).

One of the things that made the previously mentioned band leaders great is the fact that their band had its own unique, identifiable style. With the versatility of the band I constructed, I wanted someone different, someone who wasn’t necessarily defined by an era, or a band that was defined by a certain sound. I also wanted someone no one else would think to pick. And so, my band leader is:

Band Leader: Doc Severinsen

doc-severinsenDid anyone see that one coming? Sure, laugh, but how much fun would that be? And don’t think that Doc doesn’t have his credentials in order. Severinsen was likely the best know band leader and trumpet player in America for 25 years, heading up the band for Johnny Carson on the Tonight Show, widely considered one of the best big band jobs ever. He’s recorded nearly every type of music, making him extremely versatile.

Doc’s experience with big bands is far from limited to television. Dating back to 1945, Doc was a featured musician with bands headed up by Tommy Dorsey, Charlie Barnet, Benny Goodman, and Noro Morales, while also backing the likes of Dinah Washington and Anita O’ Day.

His album sales as a big band leader and as a small group leader have all proven well, including a Grammy win in the big band category. Bands he directed contained members with a vast background of big band experience, including Conte Candoli (Woody Herman, Stan Kenton), Snooky Young (Jimmy Lunceford, Count Basie, Lionel Hampton, Thad Jones/Mel Lewis), Ed Shaughnessy (Charles Mingus, Benny Goodman), Ernie Watts (Buddy Rich, Oliver Nelson), Bill Perkins (Woody Herman, Stan Kenton), and Ross Tompkins (Benny Goodman).

And finally, Doc is a whole lot of fun. A flashy, bright (be it a tad tacky) wardrobe and sense of humor would make him a great leader for this or any band. Add the fact that he is a true trumpet virtuoso, it would be fun to see him pick up the horn and play a solo too. I’ll just mention that he also recorded with Cab Calloway, Lena Horne, Gene Krupa, Chris Connor, Tito Puente, Toshiko Akiyoshi, Ruth Brown, Bob Brookmeyer, Gil Evans, Dizzy Gillespie, Jimmy Smith, Stan Getz, Milt Jackson, Mundell Lowe, Billy Taylor, and Tony Bennett.

My band leader needs to have the ability to direct a top notch band with creative arrangements, entertain the audience between songs, and wear a flashy outfit. Doc has that all covered, and then some.

So that is the band. Check out videos from Doc Severinsen below, and look see a layout of the entire band. And dont forget to let me know who you would like to see in your band!

Watch Doc Severinsen conduct and play Stardust in this video:

Watch Doc and the gang team up with Buddy Rich for We’ll Git It:

Watch a fun little sampler of Doc performances, concluding with Doc playing for Ronald Reagan:

And finally, Doc leading a band, way back in 1965, playing Blues in the Night: