Groove Notes begins Earshot Jazz Festival coverage with an interview with John Gilbreath

The Earshot Jazz Festival kicks off this Friday, Oct. 14, and runs through Nov. 6, and through the duration of the festival Groove Notes will be delivering in-depth ongoing coverage throughout.

Leading up to opening night, we will be posting posts and questions as part of a preview to the festival, and during the festival we will be bringing you reviews, updates, and most importantly, your feedback.

Heading to a show? Did you see an amazing performance, or have a chance to chat with one of the musicians from the festival? Be sure to share your thoughts with us, and use the hashtag #earshot when you do.

We start our preview of the Earshot Jazz Festival today with an interview with the executive director of Earshot, John Gilbreath. John gives us an overview of the festival, talks about local artists on the schedule and how some of them will be collaborating with national recording artists. He also shares with us information about some of the films being screened, some sub-thematic things scheduled to happen, the headliners and a few surprises.

Festival Overview

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The festival will feature 60-plus concerts at 15 venues over the course of 24 days this year. Shows range from large concert halls to small clubs to community centers. There are some educational programs and a film series. There will also be a healthy emphasis on local artists, some who are currently local, some who have left town and returned for the festival, and some who will be teaming up with national and international recording artists.

“There is so much that wants to be done and needs to be done and should be done, and this is our attempt to do as much of it as we can.” – John Gilbreath

Local artists return

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The festival begins with a celebration, featuring both the Roosevelt and Mountlake Terrace high school jazz bands that placed this year at the Essentially Ellington festival in New York. Immediately following that show, musicians Chris Speed and Jim Black return for a performance after originally meeting in Seattle high school bands in the 80’s.

Local musicians collaborate with national recording artists

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Jay Clayton, Jerry Granelli, and Travis Shook are just a few musicians who have made a name on the national scene that will be working with local musicians such as Matt Jorgensen.

 

 

Jazz in film

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Four films will be screened at the festival this year: And I Ride, And I Ride, A freewheeling improvisation on virtuoso guitarist Rodolphe Burger; Ne Change Rien, a Seattle premiere of a meditation on entrancing French chanteuse Jeanne Balibar; In My Mind, Seattle premiere of a portrait of Jason Moran╩╝s 2009 tribute to Thelonious Monk, with Eugene Smith’s just-unearthed photographs and recordings of Monk rehearsals; and Black February, Seattle premiere, with director in attendance, about legendary avant-gardist Butch Morris╩╝s 2005 series celebrating 20 years of his revolutionary “conductions.”

Sub-thematic elements

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A couple of shows will highlight the music of Robin Holcomb, who moved to the area from the East Village with husband Wayne Horvitz. Nov. 2 will feature the Seattle Women’s Jazz Orchestra performing her music, as well as a small group featuring Robin and her music. Longtime collaborators Thomas Marriott (trumpet), Mark Taylor (sax), and Matt Jorgensen (drums) will be doing a live recording at Tula’s for an upcoming release on Origin records.

Festival headliners

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Pianist Keith Jarrett returns with bassist Gary Peacock and drummer Jack DeJohnette and is certain to be at the top of the heap for the festival this year. Also, pianist Brad Mehldau will be doing a solo concert at the Nordstrom Recital Hall, and The Bad Plus will be in concert at Town Hall.

“At the top of the mountain, the pinnacle, the peak, the Mt. Everest of any jazz festival has got to be Keith Jarrett, Gary Peacock and Jack DeJohnette, and in my mind judging by any set of criteria is the finest ensemble and made of the finest individuals in that kind of setting that is working in jazz today.” – John Gilbreath